Luiz Bonfa – Jacarandá

I found this gem a few weeks ago at Orgy In Rhythm and finally sat down to give it a listen. I was more than pleasantly surprised. I expected to hear some simple acoustic samba or something latin flavoured. I had never actually heard of Bonfa. Well shame on me!

It’s a bit strange actually, because I have the “Black Orpheus” soundtrack LP, and it turns out that this was composed by Luiz Bonfa and Antonio Carlos Jobim. I think the album cover threw me off, because when I look at it, I don’t expect to hear a full-blown fusion album, and a very accessible one at that.

There are several well known names on Jacarandá: Eumir Deodato, Stanley Clarke, Airto Moreira, Ray Barretto, Randy Brecker, but they only make up a fraction of the 49-member line-up.

I went back and read Bacoso’s comments and noticed that this was arranged and conducted by Deodato, which likely explains the accessibility of this recording. This album has something for everybody and is guarranteed to please all but the most grumpy of listeners.

It appears that the JR label 24-bit CD re-issue of this LP is no longer available, but you can download this MP3 archive taken from the original LP.

AMG Review by Thom Jurek:

After the initial shockwaves of Miles Davis’ seminal fusion recordings began to settle, jazz rock fusion began to become a genre unto itself. What Miles had created as a way of opening both the disciplines up to one another — in the same manner that bossa nova and rhythm and blues did in the 1960s — created a slew of musical possibilities before fusion closed in on itself in the later 1970s and became its own restrictive genre, full of sterile, workmanlike chops, and endlessly repetitive rhythmic constructs.

But perhaps no one, not even Weather Report’s Joe Zawinul or Creed Taylor at CTI realized the full aesthetic and panoramic potential of fusing seemingly disparate elements together in an entirely new tapestry, the way that Brazilian composer and guitarist Luiz Bonfá did on Jacarandá in 1973.

His collaborators, producer John Wood and arranger/conductor Eumir Deodato, assembled a huge cast of musicians in both New York and Los Angeles, and came up with nothing short of a grooving, blissed-out masterpiece of fusion exotica. The cast of players is in and of itself dizzying: Airto, Deodato, Bonfá on acoustic guitars, Stanley Clarke, Wood, Mark Drury, Ray Barretto, John Tropea (on electric guitars), Bill Watrous, Randy Brecker, Idris Muhammad, Jerry Dodgion, Sonny Boyer, Phil Bodner, Maria Toledo, and many others — including full string and horn sections.

The ambitious Deodato charts opened up the principals and brought hard Afro-Cuban rhythms, softer Brazilian ones, funky riffing soul and R&B interludes, and classical themes and variations, as well as sophisticated jazz harmonics and syncopation to a collection of tunes by Bonfá and others. Sound like a mess? Hardly. This is one of the most disciplined and ambitions recordings to be issued during that decade. Here Bonfá’s gorgeous palette of samba and bossa melodies is married to film score dynamics, lush romantic cadenzas, smoking jazz grooves and cultured extrapolations of folk and popular music schemas, creating a stunning mosaic of color, release, pastoral elegance and bad-ass, intoxicating, polyrhythmic Latin soul vistas.

While the entire album flows form front to back with seamless ease, there are a few standouts. The opener, “Apache Talk,” features Barretto’s congas creating a bottom for Muhammad’s brushes and snare, as Clarke’s bass plays one note insistently and hypnotically before Wood’s Rhodes and finally Bonfá’s 12-string come shimmering in with a funky urgency that is underscored by Tropea’s bluesy fills. When the horns finally enter, the entire thing is popping and grooving on its own punchy axis. It’s a wonder that Gilles Peterson hasn’t picked up on this cut yet. Elsewhere, Bonfá’s velvety tropical read of Enriqué Granados’ “Dance No. 5,” with its slippery classical guitar and extended harmonic palette, is a whispering wonder of sensual delight. The minor-key riffing in “Strange Message” that becomes a full-blown soundtrack-esque anthem is a wonder, and the jazzy soul of the title track with Drury’s popping stand-up bass playing counterpoint to Bonfá’s 12-string before Muhammad and Wood kick it on the funky side is breathtaking (Man, if Ralph Towner could only play 12-string like this, he might have been a contender!).

Reissued on the JR label, in magnificent, warm, crystalline, 24-bit remastered sound, the album contains an excellent essay on Bonfá by executive producer Arnaldo DeSouteiro. This is the great fusion album that was never released here in the States, where the full possibilities of the new music were personified. If ever there were a case to order a CD online, this is it. It’s so fine it’s hardly even believable.

Personnel:

• Luiz Bonfá (guitar, vocal)
• Eumir Deodato (piano, electric piano, keyboards)
• John Wood (electric piano)
• Stanley Clarke (electric bass)
• Mark Drury (bass)
• Idris Muhammad (drums)
• Richard O’Connell (drums)
• Airto Moreira (percussion)
• Ray Barretto (conga)
• John Tropea (electric guitar)
• Sonny Boyer (tenor sax)
• Phil Bodner (flute, oboe, english horn, clarinet)
• Romeo Penque (flute, bass clarinet, baritone sax)
• Jerry Dodgion (flute, alto sax)
• Randy Brecker (trumpet, flugelhorn)
• Burt Collins (trumpet)
• John Frosk (trumpet)
• Marky Markowitz (trumpet)
• Marvin Stamm (trumpet, flugelhorn)
• Wayne Andre (trombone)
• Garnett Brown (trombone)
• Bill Watrous (trombone)
• Tony Studd (bass trombone)
• Jim Buffington (french horn)
• Peter Gordo (french horn)
• Harry Lookofsky (violin)
• Harry Cykmam (violin)
• Max Ellen (violin)
• Paul Gershman (violin)
• Emanuel Green (violin)
• Harry Katzman (violin)
• Harold Kohon (violin)
• Joe Malin (violin)
• David Nadien (violin)
• Gene Orloff (violin)
• Elliot Rosoff (violin)
• Irving Spice (violin)
• Alfred Brown (viola)
• Harold Coletta (viola)
• Selwart Clark (viola)
• Emanuel Vardi (viola)
• Charles McCracken (cello)
• George Ricci (cello)
• Alan Shulman (cello)
• Gloria Lanzarone (cello)
• Alvin Brehm (arco bass)
• Russell Savakus (arco bass)
• Sonia Burnier (vocal)
• Maria Helena Toledo (vocal)

Track List:

1. Apache Talk (Luis Bonfá)
2. Jacarandá (Luis Bonfá)
3. Gentle Rain (Luis Bonfá)
4. You Or Not To Be (Tavinho Bonfá)
5. Strange Message (Luis Bonfá)
6. Don Quixote (Luis Bonfá)
7. Song Thoughts (Luis Bonfá)
8. Danse V (Granados / Adpt. Luis Bonfá)
9. Empty Room (Luis Bonfá)
10. Sun Flower (Luis Bonfá)